{"id":1758,"date":"2026-03-16T18:04:29","date_gmt":"2026-03-16T17:04:29","guid":{"rendered":"https:\/\/design.superstudioevents.com\/?post_type=espositore&p=1758"},"modified":"2026-04-22T18:28:43","modified_gmt":"2026-04-22T16:28:43","slug":"yield-studio-2","status":"publish","type":"espositore","link":"https:\/\/design.superstudioevents.com\/en\/espositore\/yield-studio-2\/","title":{"rendered":"UNEVEN OBJECTS"},"content":{"rendered":"
\r\n
\r\n

\r\n \r\n <\/svg>\r\n BACK\r\n <\/p>\r\n \r\n <\/div>\r\n

\r\n
\r\n
\r\n
\r\n \"prodotto <\/figure>\r\n
\r\n \"prodotti <\/figure>\r\n
\r\n \"prodotti <\/figure>\r\n <\/div>\r\n <\/div>\r\n \r\n
\r\n

UNEVEN OBJECTS<\/h2>\r\n

The memory of production as a living emotional environment<\/h3>\r\n \r\n
\r\n

Designer<\/p>\r\n

Levantin Studio<\/p>\r\n <\/div>\r\n \r\n\r\n

\r\n

The post-industrial scenery of Bovisa ceases to be a backdrop and becomes an active stage for interaction between human presence, technology, and time. Objects by Uneven Objects act as mediators, activating a sensory dialogue with the factory space, where the memory of production transforms into cultural and emotional experience. They engage through playfulness, tactility, and curiosity.<\/p>\n

Tottolo speaks the language of intuition and formal freedom, returning the object to the primordial impulse of making. Tacto, in contrast, structures space through contact: a fragile equilibrium sustained by mutual consent between form and structure. The objects become environments of perception, intensified by chromatic depth.<\/p>\n

The machine-oxide blue of Tottolo retains its industrial reference yet shifts toward scenographic depth, echoing theatrical blue light. The chair colors extend this dialogue through a nostalgic reference to Italian industrial design of the 1950s\u201370s. The muted blue Kvadrat and mineral beige evoke intellectual labor, tones where industrial memory persists as living material culture.<\/p>\n <\/div>\r\n \r\n